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“Sometimes errors inspire the most.”

A Polish sculptor 4.0 and blacksmith 4.0, who uses air and parametrics instead of chisel and anvil. Oskar Zięta works with metal in its broadest definition, being responsible for the complete creation and manufacturing process but without full control of it. Sounds paradoxical? In a way it is—Oskar calls it “controlled loss of control.” For over a decade, this slogan has fuelled his highly performative studio and himself.

Wir, 2017, H: 24 m | 945”

Nawa, 2019, 9 m | 354"

Interferences, 2025, H: 4,9 m | 192"

Hempel, 2025, H: 8,3 m | 327”

Kraken, 2021, L: 12,5 m | 492”

Generations, 2023, H: 6,7 m | 264”

Whispers Object, 2026, ø 2,5 m | 98"

Aorta, 2019, H: 125 cm | 49”

Crystals Pavilion, 2025, H: 3,5 m | 137"

Blow and roll, 2010, H: 3 m | 118”

Koniczyna, 2018, H: 5,6 m | 220”

Crystal Totem, 2018, H: 6,7 m | 264”

Whispers, 2025, H: 2,9 m | 114"

Trzepaki, 2023, H: various heights and sizes

Urban Crystals, 2019, H: 4,4-3,6 m | 173”-141”

Cyclops, 2013, H: 1 m | 39”

Fingerprint, 2020, H: 3 m | 118”

Firefly, 2017, H: 6 m | 236”

Tajdo, 2017, H: 3,7 m | 146”

Kolumna, 2020, H: 4 m | 157”

Tangle, W: 3 m | 118”

Re: KOLO H: 1,5 m | 59”

Re: PANEL H: 2,5 m | 98”

Nucleus, 2017, Ø 6 m | 236”

Antropod, 2016, H: 1,7 m | 67”

Łezka, 2020, H: 48 cm | 19”

Cave, 2020, H: 60 cm | 24”

Axis 2019, H: 10 m | 394”

Concept Space, 2013. H 4 m | 157”

Seahorse, 2006 H: 2 m | 79”

Nymph H: 2 m | 79”

Sail, 2017, H: 2 m | 79”

Spire, 2016, H: 40 cm | 16”